Featured at the Bar-D Ranch

 
 

 
Reproduction prohibited without express
written permission
"Waxed Jacket"

2006, William Matthews, www.williammatthewsgallery.com

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We're pleased to feature William Matthews painting, "Waxed Jacket" as the official poster for Cowboy Poetry Week, 2008. 


Reproduction prohibited without express written permission
"Waxed Jacket"

2006, William Matthews, www.williammatthewsgallery.com

(Posters are not sold. They are offered to libraries in our Rural Library Project and to supporters of the Center for Western and Cowboy Poetry, which sponsors CowboyPoetry.com, Cowboy Poetry Week, the Rural Library project, and all of our programs.)

"Waxed Jacket" is also featured in our Art Spur project for Cowboy Poetry Week.

William Matthews has been called "today's Frederic Remington." He earns praise from Western Folklife Center Founding Director Hal Cannon, "William Matthews fashions water and color to evoke the billow of a cowboy's shirt at full gallop, the patina of a well-used saddle, the blistering mirage of Nevada. Simply put, he sees the West with new eyes."  Cowboy poet and buckaroo Waddie Mitchell comments, "Willy's work is so dead right and real, a buckaroo can see what is beyond either side of the painting."

William Matthews' work has been featured in gathering posters for the National Cowboy Poetry Gathering, the Santa Clarita Cowboy Festival, the Southeastern Cowboy Festival and Symposium, and others. He has painted Don Edwards, Randy Rieman, Waddie Mitchell, R. W. Hampton, Wallace McRae, and many other cowboys and ranchers. Some of those images are included in his landmark 1994 book, Cowboys and Images (which is out of print, but sometimes available from used book sources, such as Amazon).

 

 

William Matthews' sumptuous 2007 book, Working the West, includes 180 color plates of his Western subjects. The publisher describes the book, "Watercolorist William Matthews has long been hailed as the preeminent painter of the American West. In this new collection of 180 staggering paintings, he captures the full range of western experience: endless skies, high plains, the last working cowboys, the Navajo, the mystique of the Living Desert. Steeped in introspection and connected to land, tradition, and identity, Matthews' work evokes a place that is authentic, anachronistic, and dynamic."

 

Learn more about William Matthews and view some of  his work at his web site:

 www.WilliamMatthewsGallery.com

 

 

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